You’ll probably see how this correlates to MusicGrid.me.

Pitchfork: Are you saying Sony hid the tapes on purpose back in 2002?

KS: Oh, they did. The contract we did in 2001 basically gave me ownership of the tapes, and then the Sony regime that existed when that contract was signed left. And when the new regime came in, the tapes disappeared. That was relevant because even though I was the owner, it would only revert back to me if I remastered from the original tapes— if the tapes were gone, I couldn’t remaster from them and hence I couldn’t ever own them.

Always read up on your musical legends.

Sipping a Coca-Cola at the bar, Mike broke down each track from the new album, getting intensely worked up as he explained what went in to creating this intense, timeless new masterwork. Listen to a full album stream while reading Mike’s commentary.

The best possible way to listen to Killer Mike is “with” Killer Mike.

The results? In North America, Atlanta was the leader in predicting overall music trends as well as hip-hop trends, while Montreal was the clear indie music frontrunner. (Sorry, Brooklyn.)

Actually, this is totally what we’d think—Atlanta is a groundswell of innovative music. We even talked about it in our Out There Atlanta podcast. Those of us out seeing concerts don’t take it for granted, and those of you that aren’t … well, you should. Come hang out and watch the next generation of musicians grow.

“The walls looked a little sterile,” Buck said. “And instead of posters, we thought we could put records on the walls. It kind of evolved and became a community-art project.”

Record stores being awesome.

outthereatlanta:

Musicgrid.me is a little bit different from the other music sites you’ve seen online. For one thing, they don’t alert the world every time you listen to Bryan Adams at work. Music Grid was started by Cliff Seal and Kyle Stapleton as a site that allows you to review music socially. It creates a…

Let’s see if we said anything we regret.